Cinema
Martin Scorsese Explains Why He No Longer Goes to Movie Theaters
Scorsese reveals his reasons for avoiding theaters, citing noisy audiences and constant disruptions.

Martin Scorsese, one of the most iconic filmmakers in cinema history, recently revealed that he no longer enjoys watching movies in theaters. It’s not a lack of passion for cinema—far from it. Instead, it’s the disruptive behavior of modern audiences that has driven him away from the big screen experience.
In a recent conversation with his longtime friend and film critic Peter Travers, Scorsese opened up about his decision to stop attending movie theaters. Travers, who just launched his new blog, The Travers Take, asked Scorsese why he no longer goes out to watch films. The answer was blunt and passionate.
According to Travers, Scorsese expressed strong frustration with how people behave during screenings. “He was really upset about how people talk on their phones, get up frequently to buy snacks, and create enough noise to overpower the actual film,” Travers explained. Scorsese acknowledged that in his youth, he and his friends would talk during movies too—but with a key difference. “Sure, we chatted,” he said, “but it was always about the movie itself. It added to the experience, not distracted from it.”
Nowadays, Scorsese prefers the comfort and control of his own home. His New York townhouse is equipped with a private screening room filled with classic posters, film memorabilia, and a large screen perfect for immersing himself in old Hollywood masterpieces. He even has a second, smaller viewing space in his upstairs study, along with an expansive personal film library that he’s built over decades.
This home setup allows him to keep up with contemporary cinema as well. Scorsese has praised several modern films recently, including TÁR, Pearl, Hereditary, Nosferatu, and I Saw the TV Glow.
His frustration is understandable to anyone who’s experienced a distracted or noisy crowd at the movies. For a filmmaker who views cinema as a sacred experience, today’s common disruptions can make theaters feel more like a battleground than a sanctuary for storytelling.
Once a space for collective escape and wonder, movie theaters have become less appealing to serious film lovers like Scorsese. For him, staying home offers the quiet, focused atmosphere that allows films to shine the way they were meant to.

Cinema
‘How to Train Your Dragon’ and ‘Lilo & Stitch’ Dominate Global Box Office
Family-friendly remakes shine as ‘How to Train Your Dragon’ nears $200M globally and ‘Lilo & Stitch’ races past $850M at the worldwide box office.

Universal and DreamWorks Animation’s live-action adaptation of How to Train Your Dragon has taken flight with a powerful global debut, nearing the $200 million mark. Meanwhile, Disney’s Lilo & Stitch continues its impressive theatrical run, surpassing $850 million worldwide in just four weekends. Both family-friendly films are drawing large audiences, even though they target similar demographics.
How to Train Your Dragon earned $114 million from 81 international markets, making it the top film overseas. In North America, it collected $83 million, bringing its total global opening to $197.8 million. Leading markets include Mexico with $14 million, the United Kingdom and Ireland with $11.2 million, and China with $11.2 million.
The $150 million film was written and directed by Dean DeBlois, the creative force behind the original animated trilogy, which includes the 2010 debut, 2014’s How to Train Your Dragon 2, and 2019’s The Hidden World. These films collectively grossed $1.6 billion globally. The story is set in the mythical Viking village of Berk and centers on Hiccup, a misfit teenager who forms a bond with a wounded dragon he names Toothless. A live-action sequel, How to Train Your Dragon 2, is already set to release in 2027.
Meanwhile, families continue to flock to Lilo & Stitch, which brought in $31.1 million from 52 territories during its fourth weekend. The comedic adventure about an oddball alien has now grossed $491 million internationally and $858 million globally since its Memorial Day debut. With continued momentum, it’s well on track to become the year’s first billion-dollar movie.
In another notable milestone, Paramount’s Mission: Impossible – The Final Reckoning has crossed the $500 million global mark. The eighth film in Tom Cruise’s action franchise added $21 million from 66 markets this past weekend, raising its total to $506 million globally. However, with an estimated production budget of $400 million and theaters keeping a significant share of ticket sales, the film may fall short of breaking even in its theatrical run.
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‘How to Train Your Dragon’ and ‘Lilo & Stitch’ Dominate Global Box Office